A Lucky Day, Thanks to Grammy
How much was that old glass jar that my husband had inherited from his grandmother
worth? I turned to eBay a commercial site, https://www.ebay.com/
A Lucky Day, Thanks to Grammy
It
might be worth $6 to $65. Mostly what he and I learned from the search is that
it was a Lucky Joe Louis Bank.
Louis was a boxer and his face was used on the bank
after he became heavyweight champion of the world in 1937. Taking that info and
going on an antique class collector site, https://www.kovels.com/collectors-questions/lucky-joe-bank.html I
learned that the jar had once held Nash's prepared mustard and was sold in
grocery stores in Pennsylvania (where Grammy lived) and elsewhere as a
promotion item. This was after the Depression. People needed a reason to buy.
The jar had a dual purpose: it provided food and a place to put your (scarce)
money. Grammy kept the jar on her dresser and gave a coin to grandkids who
might be especially good. This foray into material culture was started because
we had an old piece of stuff on the shelf. What we learned from both commercial
and collector websites was an example of the knowledge gained quickly
On eBay, which says it
facilitates "consumer to consumer and business to business" sales, it's not always clear whether your seller is a
collector, a business, or someone cleaning out the basement. You hope they
abide by the company's stated good-faith policy. There's a place to make
complaints on the site, which means unethical sellers can be barred from using
it.
Another commercial website that is in the progress of taking
over the world (in the opinion of some) is Amazon. Most of us look at several
website when we are buying or selling, so here's what I got when I looked for
Lucky Joe Louis on Amazon:
Joe was worth $30 and up. We
decided not to sell it. But if it gets to $500, then - yes.
The "search"
function on Google or a commercial website or any website today is probably the most time-saving breakthrough on the web EVER.
OTHER SOURCES
Google owns more
than 200 companies
https://www.investopedia.com/investing/companies-owned-by-google/, including
YouTube, a video-sharing website. The search function is crucial there, too.
You go there to learn something (like units in this class or running tips), but
also for random info that can only be classified as entertainment, such as
cartoon and video. Type in "workplace meltdowns" and spend the next
hour saying "ohmigod" and "oh no" and "holy
whatever."
YouTube empowers
ordinary people as well as experts to share their knowledge. How do you know
who vets them? You don't. It is a user-generated website. How do you know what
is fake and what not? You don't. (Yes, this comes from Wikipedia, but explains
in one place well all the technologies and ways YouTube works
: https://en.wikipedia.org/wiki/YouTube)
YouTube was
started by three former PayPal people. Now many of us can go on Amazon and use
PayPal to pay for purchases. Companies and membership associations rely on
PayPal to do transactions for a small amount of every purchase.
Wikipedia, an online encyclopedia, often pops up first on Google
searches. But those who contribute info to the site may or may not be
experts on the subject. Citations are there, but further research needs to be
done by those searching for primary sources.
Facebook may have privacy problems lately, but that doesn't stop us from using
it. It is the form of social media for sharing information at personal, group,
neighborhood, national and international levels.
THOUGHTS ON IT ALL
"This exciting prospect of universal, democratic access to
our cultural heritage should always be tempered by a clear-headed analysis of
whether the audience for the historical materials is real rather than
hypothetical," say Cohen and
Rosenzweig. http://chnm.gmu.edu/digitalhistory/digitizing/
Digital searching
most dramatically transforms access to collections, whether they are commercial
websites or historical ones. Commercial websites make money. Historians have
to justify can digitizing costs; a collection of personal papers that
attracts very few researchers is costly, as C&R say in this chapter. The Library of Virginia, for example,
has some personal papers described online, yet available only in the
library. http://www.lva.virginia.gov/
The speed with
which research can be done today from digital collections is astounding,
although getting access to some data has become harder as firewalls have been
put in place for security reasons and subscriptions to publications become the
norm.
Google's plan to
create a library was welcomed by those who believe in a democratic web with
information available to anyone, but getting things digitized is still a technical challenge.
As Cohen and
Rosenzweig note, document markup predated the Internet. Before computerized
typesetting, there were copy editors. There still are, but instead of using pencils they use computers and the Microsoft Tracker function
to edit, leaving a trail so that changes can be tracked to the person who made
them (and heads can roll when there is a serious mistake).
Machines can do
much more. Even publications like The Washington Post use computer programs to
"write" some stories, notably sports scores. This eliminates the need
for the old film version of reporter calling in a score to a copy aide, who
then enters it into story. Scores get "fed" into a database,
entered in a column, sorted and placed in context in a sports text. Computerized
typesetting revolutionized printing.
Examples of materials I have digitized
1. At right is a page from an American Historic Buildings Survey (HABS), the 1936 field notes on
an Alexandria house. The original field notes, which are small notebooks filled
with grid paper, are kept in stored collections at the Library of Congress.
http://www.loc.gov/pictures/collection/hh/ A visitor must specifically request
them. These survey reports are not available online or digitized, although some
sketches from select buildings can be found on the library's website. Field
notes are fragile and can only be photographed with approved cameras at select
tables in full view of librarians. The sketch here
shows the measurements of a door fame, pediment and step. From examining this,
an architectural historian may be able to determine its age. The HABS was the
nation's first federal preservation program in 1933. Its purpose was to
document America's architectural heritage.
https://www.nps.gov/hdp/habs/
2. The photo at left is from an Alexandria family collection. It may have been taken in the
late 1880s. The style of dress and hair on the woman must be examined to
determine that, as well as the quality of the photo itself. The family member who
provided this said he believes it is his great, great grandmother as
a young woman in her twenties, or an aunt. He is reluctant to remove the photo
backing (paper) to learn more information at this time. This black-and-white
photo with white frame is about 3 inches wide by 5 inches high. The family
member says he sees resemblance to family members today.
From
consulting sources such as this
http://www.thisvictorianlife.com/everyday-clothes.html
, I learned that dresses in the Victorian era most often were two
pieces, blouse separate from skirt, and that collars and cuffs were detachable. From this source
https://www.uvm.edu/landscape/dating/clothing_and_hair/1880s_hair_women.php I
learned this hair style was popular in the 1870s and as late
as early 1900s.
Other sources of digital material: Deeds and will in courthouses are sometimes digitized. Boxes of fragile papers can be digitized so that the information is available to future researchers, but this takes technical skill and money -- the latter, the main obstacle.
FINAL PROJECT
I'm compiling a list of 20 cemeteries from sources in Balch Library, looking for photos on Creative Commons and cemetery websites, and trying to contact people connected with some cemeteries to get permission to use the photos in a story map.
OTHER SOURCES
THOUGHTS ON IT ALL
1. At right is a page from an American Historic Buildings Survey (HABS), the 1936 field notes on an Alexandria house. The original field notes, which are small notebooks filled with grid paper, are kept in stored collections at the Library of Congress. http://www.loc.gov/pictures/collection/hh/ A visitor must specifically request them. These survey reports are not available online or digitized, although some sketches from select buildings can be found on the library's website. Field notes are fragile and can only be photographed with approved cameras at select tables in full view of librarians. The sketch here shows the measurements of a door fame, pediment and step. From examining this, an architectural historian may be able to determine its age. The HABS was the nation's first federal preservation program in 1933. Its purpose was to document America's architectural heritage. https://www.nps.gov/hdp/habs/
Other sources of digital material: Deeds and will in courthouses are sometimes digitized. Boxes of fragile papers can be digitized so that the information is available to future researchers, but this takes technical skill and money -- the latter, the main obstacle.
FINAL PROJECT
I'm compiling a list of 20 cemeteries from sources in Balch Library, looking for photos on Creative Commons and cemetery websites, and trying to contact people connected with some cemeteries to get permission to use the photos in a story map.
That's a great example of being able to do a quick search to find more information about a material object. Decades ago, you'd have to go to a library and hope that the library had an antiques catalog that had an image of your jar. It's so much easier now.
ReplyDeleteYou are right that there are always practical considerations, usually money, when it comes to digitizing collections/materials, but from my experience with my postcards, there is also a time constraint--you have to have the time--and you've got to sustain interest in what could be a long project.